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Save your Internet freedom now!

March 5, 2009 in Common Rights, Music Industry by Freaking Wildchild

The freedom of any net-citizen might be at stake, because the French and EU president Sarkozy, tries to get his foot inbetween the door of any internaut in Europe by regulating it’s network based on his “three strikes and you’re out” without court order. This proposal is called the “Telecom Package “, which reforms the EU’s regulatory framework for electronic communications networks and services with a view to completing the internal market for electronic communications.

“no restriction may be imposed on the fundamental rights and freedoms of end-users, without a prior ruling by the judicial authorities, notably in accordance with Article 11 of the Charter of Fundamental Rights of the European Union on freedom of expression and information, save when public security is threatened where the ruling may be subsequent.” — Amendment 138 (24/09/08)

You might remember from the past, as soon as Sarkozy became president he soon became obsessed with the “graduated response” of “3 strikes and you’re out”. Some of these amendments were covertly introduced into this “Telecom Package” which would inflict the same “3 strikes and you’re out” rule through entire Europe; which is blocked by amendment 138 (supported by a huge cross-party majority of 88% of the members of the EU MEPs). Sarkozy requested to delete amendment 138 of the “Telecom Package” which was firmly refused by the EU.

Very ironically, CBC has reported the French president Nicolas Sarkozy has been approached by an independent band for copyright infringement . He admitted to use the bands song multiple times for a political campaign which goes beyond the scope of a normal license and offered to settle the case for a symbolic 1 euro! The band rejected the offer calling this insulting.

Does this mean a president can break his own rules for commercial reasons without permission or payment? Are these court-fines ambigiously high? Since a president can settle for 1€! It’s amazing the public just accepts such “zero tolerance” from the music industry while being nailed at the higher command “defending the common artist”.

The Commission considers the amendment to be important to the key legal principles of the Community legal order, especially because it’s the fundemental right of the citizens; in particular the right to respect for a private life, protect property, for effective remedies and freedom of expression and information. Basically, we cannot inject economic growth by installing surveillance and tracing, limiting our own lives and social development. In the past a campaign has been started to save amendment 138 and Internet Freedom from the Council of the EU.

“Think about the impact, the music industry has been pushing this in France; imagine yourself a neighbour with an open WIFI, go leech some music through P2P and see your neighbours being gradually kicked off the net! Fast Internet for you! Your neighbours would be unable to stop this, because their internet access would be closed without a fair trial at court!”

Nicolay Sarkozy personally wrote a letter to Jose Manual Barroso to ask him to remove amendment 138 because it “tends to exclude the possibility for Member States to implement a smart strategy of deterrence against piracy”. This law, currently active in France, is dangerous because of the earlier facts of acts upon flaky immaterial “evidence” of counterfeiting provided by the content industries; not to forget the ligitations by the same industry in the US.

Timeline

  • 19/01/2009: The European Data Protection Supervisor (EDPS) released his opinion on the current state of the Telecoms Package. His views include that if nothing is done, article 6.6(a) will allow any company to collect and process traffic data from any Internet user, for an undetermined period of time.
  • 27/11/2008: Council of European Union adopts political agreement on Telecoms Package without am138 ((Bono-Cohn Bendit-Roithová) nor am166 (GUE/NGL))
  • 07/11/2008: European Commission amends proposal on telecoms package with am138 (Bono-Cohn Bendit-Roithová) accepted in part or subject to rewording and am166 (GUE/NGL) not accepted.
  • 30/10/2008: French Senate adopts unanimously 3-strikes Law.
  • 06/10/2008: Spokesperson for European Commission DG Information Society announce that the Commission rejects Sarkozy’s request to reject am 138 (Bono-Cohn Bendit-Roithová) on the Telecoms Package.
  • 03/10/2008: Nicolas Sarkozy writes to the president of EU Commission, José Manuel Barroso, to reject am 138 (Bono-Cohn Bendit-Roithová) on the Telecoms Package.
  • 24/09/2008: Am 138 (Bono-Cohn Bendit-Roithová) with oral amendment and am 166 (GUE/NGL) are adopted during plenary vote on the Telecoms Package.
  • 24/09/2008: Rapporteur Catherine Trautmann tables an oral amendment to am 138 (Bono-Cohn Bendit-Roithová) on the Telecoms Package.
  • 17/09/2008: Am 138 (Bono-Cohn Bendit-Roithová) and am 133 & am 166 (GUE/NGL) are tabled for plenary vote on the Telecoms Package.
  • 02/06/2008: Amendments Bono are rejected on Cultural Committee opinion report on the Telecoms Package.
  • 10/04/2008: Amendment “Bono-Rocard-Fjellner” is adopted during plenary vote on the resolution on cultural industries in Europe.

End January 2009, the EU Parliament’s committee for legal affairs voted the Medina report on Copyright. This report seems to be the initial wet dream of the content industry. It contains the complete wishlist of the entertainment industry against the Internet and its users:

  1. graduated response: recommending “three strikes and you’re out” against unauthorized file sharing for all Europe, including the full cooperation with ISP’s based on denunciations by the entertainment industries;
  2. Internet content filtering: asking to deploy technologies to filter content “for identification and recognition [...] with a view to distinguish more easily between legal and pirated products” which contradicts the very nature and technology of the Internet!
  3. Internet access providers liability: inviting “reflection on the responsibility of Internet access providers in the fight against piracy” which would make them liable for the content posted by their users.
  4. Denial of copyright exceptions: its conclusion is anticiptated by the result of the public consultation launched by the EU Commission on “Copyright in the knowledge economy” by stating that any reform of the 2001 copyright Directive is undesirable; the existing regime for copyright exceptions is undesirable and that there is no need for new exceptions. This undermines creativity, interoperability and stiffens innovation.

The wheel hasn’t stopped spinning yet! At 29 february 2009, another official second reading will start about the “Telecoms Package” in the European Parliament. At that very moment, a political agreement might be reached after ongoing opaque negotiations between the rapporteurs, the Commission and the Council. Some amendments pushed by AT&T called “network management practices” could be used to discriminate which content, services and applications users can access and use. This could be an european threat towards user’s rights, freedoms which might put Internet innovation to a halt in the current economic crisis. This all as an exclusive part for the entertainment industry; how convenient .. not?

Links:

[More coming soon, check this article for updates!]

update 09/03/09: Added Youtube video “Telecoms Package explained”

Sabam really for the common?

February 18, 2009 in Common Rights, Creative Commons, Music Industry by Freaking Wildchild

I’ve been DJ, dedicated music collector and producing loops, now for over 15 years; but the real deal started in early 2008, when my studio was finally returned back into fully working production state.

I’ve started finishing my older productions and released them as lower quality 128kbit mp3’s with Creative Commons+ license through my website.

The idea, is pretty simple, those lower quality files can be shared with anyone, but whenever you needed cd-quality with added bonuses or money would be involved, I’d need my cut of the share in this.

This was made possible through Creative Commons using CC+ licensing, which allows you to license any work for commercial gain through the use of the normal Creative Commons official deed.

It can be considered the “direct link” between consumer and artist; making more for less money. In the future I’m even planning to offer my own platform to other artists which is already in test for some time by myself as we speak…

The direct link is often not the best and only link but it adds up to the total of the artist, while, there are also quite a few different types of music available on this planet.

  1. The most known is the commercial music, known from radio and TV which gets pushed by only a few of the major labels in the top charts …
  2. Indie music, not in the top charts but quite often with quality music , mostly even better than the real commercial top music…
  3. Non-commercial music, experimental or not commercial enough, adored by music lovers.
  4. The unreleased music, special releases and also bootlegs, with really quite some good stuff in it!

Indie bands are growing like mushrooms out of the ground because creating music is not that expensive as it used to be in the eighties. Electronic devices have gotten a lot smaller, sometimes easier but for sure more functional; personally, I prefer my old midi rig above a PC controlled patchbay!

Creative Commons could bridge the Artist-Consumer problem of finding less or non-commercial music on the net by getting quality in return by supporting the artist. Artists would then be able to, for example, send a CD of their latest productions, still in line with a license protecting their works.

This, of’course, could not be the major income of an artist; since it’s based on rather new ideas & technologies and that’s where mechanical rights and perhaps the more commercial music could come in mind.

“Any artist should be able next to his ideals, to create their own productions, even for commercial gain.. Right? .. ”

I’m not sure that’s really true in Belgium or in Europe!

Like any artist would do, I’ve joined the major Belgian author associations like Simim, Uradex and Imagia but I’ve failed of joining Sabam simply because of one thing: Trust!

It seems to be unable to register as an author and create free music. As soon as you join Sabam you’ve got to sign away all your rights for now and for the future; all your music will belong to them! When Sabam sees a song with your name in it, they will collect, even if the work is based on a Creative Commons license!

Their reasoning seems to be towards being unable to spot the differences, although, I’ve been proposing to add a CC+ tag to all of my CC productions but that wasn’t accepted. I’ve proposed if I could create my Creative Commons+ files under another nickname which I’d not register with Sabam but alas, that would be too good to be true…

“Whenever you join Sabam as author or composer, it will be for all music you’re author or co-author of. It’s not possible to collect for some songs through Sabam and collect through another. With Creative Commons licenses you’ve always got the risk Sabam will collect money anyways…”

Their own (translated) response is “Whenever you join Sabam as author or composer, it will be for all music you’re author or co-author of. It’s not possible to collect for some songs through Sabam and collect through another. With Creative Commons licenses you’ve always got the risk Sabam will collect money anyways…”

What kind of monopoly is this? Supported by the government ran through exclusivity contracts?

Isn’t Sabam created in purpose to support the common artist?

Not only this is a small problem, imagine the next one!

Once you’d need to publish any CD, a non-intervention statement needs to be signed by Sabam, allowing the CD manufacturer to start pressing that particular CD.

No non-intervention statement is no press! As cherry on top, you cannot demand a non-intervention when you are member of this agency which would allow them to collect royalties; even on a cd with only Creative Commons works. I’ve had to create a letter stating “I would not be joining in the near future”, this only because I wanted PERMISSION (in limited amounts) to release my own CD, which I’ve got 9 months later!

It’s one vicious circle because as soon as you want to earn on those Mechanical Rights; you’ve got to be member of them, loosing any artistic freedom to create music for other purposes than collecting money!

Our Dutch equivalent is currently pilot-testing a program with Creative Commons works; although anything released under the original artist name would be collected upon. This restricts the artist to only release music commercially -or- under a creative commons license but not both.

What if authors join forces combining their music giving away free CC samples for example? Belgium has not been touching this while CC is getting a full grown internet phenomenon.

This raises a few questions …

How could Sabam be even allowed such power to limit creativity at it’s best? Industrial lobbying at it’s best?

How could I ever create free art if they force me to copyright my works to their agency?

Where does that money go to from wrongly collected works?

How would you feel, You’ve got a killer voice and you’d like to sing a song free for the world, but Sabam would limit that because you are member?

Probably the same as how I feel now with this superficial legal limits opposed by Sabam!

I hope something gets done for the common artist!

I am feeling this is a tax to limit “creativity”, a word which sure isn’t licensed in their repertoire only!

Thank you for listening, tuning out!

[Please give your reactions here, this article will be forwarded towards the proper authorities ]

No to war … Sadness is coming!

March 18, 2003 in Lyrics by Freaking Wildchild

Sad world (by Freaking Wildchild)
(click to listen to video while reading!)

I am so very sad, very sad …
the world is becoming mad, very mad, very mad …
A war is coming, war is coming,
tears are filling up my feeling, killing feelings …

Blood will be spilled for power,
spilled for power, spilled for power, all for power …
Sadness can be found in my tears,
people will be living in fear, all in fear …

It’s a very very mad world …
a very sad world …

People have to learn a lesson,
learn the lesson, all the faces, all expressions,
People will loose their children, loose their children,
which before where happy children, being children …

I feel o so lonely, with my own expressions,
people are still not learning lessons, learning lessons …
Help us all what will become so soon,
help the people, help the world, spread this poem…

It’s a very very mad world …
It’s a very very sad world …

What about all the people, thinking people,
feeling people, sad people, caring people, crazy people …
We are filled with no desire, no desire,
so sad to shout, world on fire, world on fire…

What will become of the earth,
where we used to feel home, lives being scattered …
What becomes of us, what becomes of them,
people loose their lives, no more being the same …

It’s a very very mad world …
It’s a very very sad world …

No war please, pretty please, no damnation …
not to promote a nation, promote a nation, any nation…
People will loose their lives, loose their friends,
please no to be a living expense, no expense …

People not ever to be seen again, never again, ever again,
a rain will be coming, rain of sadness, bloody rain, …
When will the madness end, madness end, please do end,
people get killed, getting killed, for a cent …

It’s a very very mad world …
It’s a very very sad world …

Thanks to all the people caring for us,
caring for them, caring for future, for the future …
Please don’t solve problems with violence, no violence,
some are still not learning lessons, learning lessons, …

Freaking Wildchild (18/03/2003)
I feel bad for this world… My “NO” to war!
Listen with me and feel your feeling …

The “Mad World” song is by Gary Jules.
The poem “Sad World” above is written by Freaking Wildchild.

 


 
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